5 Mind-Bending Soviet Era Sci-Fi Movies You Can Watch on Streaming
A Polygon editorial highlights five Soviet-era and Russian sci-fi films now available on streaming, exploring their themes and historical context.
Soviet-era science fiction films often used allegory to navigate state censorship, with directors like Andrei Tarkovsky and Konstantin Lopushansky crafting philosophical works that reflected societal decay. These films, produced between the 1920s and 1990s, blended dystopian narratives with critiques of totalitarianism, using sci-fi as a subtle medium for dissent. The genre’s evolution mirrored the political climate, from early silent films to later philosophical explorations of human nature and desire.
Andrei Tarkovsky’s 1972 film Solaris centers on psychologist Kris Kelvin, sent to a stalled space mission orbiting a sentient planet. Unlike Stanley Kubrick’s 2001: A Space Odyssey, Solaris avoids spectacle, instead probing the human psyche through Kelvin’s encounters with the planet’s psychological manifestations. The film’s warmth and pathos transform it into a meditation on loss and memory, positioning it as a companion piece to 2001 rather than its opposite.
Georgiy Daneliya’s Kin-dza-dza! offers an absurd take on sci-fi, sending a construction foreman and a student to the planet Pluke via a malfunctioning teleportation device. The film’s “salvage punk” aesthetic critiques late-Soviet society, satirizing resource scarcity and arbitrary social hierarchies. Its surrealist comedy serves as a vehicle for political commentary, highlighting the absurdity of oppressive systems and the resilience of human curiosity.
Egor Abramenko’s Sputnik, set in 1983 Soviet Kazakhstan, follows a crash survivor who unknowingly bonds with an alien creature. The film explores Soviet-era paranoia and military corruption, focusing on the ethical dilemmas of weaponizing fear. While it retreads familiar sci-fi tropes, Sputnik prioritizes character dynamics and moral decay over alien spectacle, offering a critique of human cruelty and opportunism.